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Lucio Diodati in Rome Posters

Press

Wednesday, January 12, at 18.00 at the Gallery FIDIA, in Angelo Brunetti, 49 - ROMA,

will open a solo artist Lucio Diodati which presents a series of recent work.

" Harlequin and other stories " is the title of the show where the critical approval and continuing reminders of the cultural routes becomes simplistic and unoriginal.

E 'as a cultural operation that shows the artist, or all of us, are the result of a process of sedimentation that, in humans Diodati, find answers in his stories to colors.

The artist did not offer to talk, his explanation is guarded by his look and the "gaze" offers visitors a communication without words, but an intense and lively.

figures facing careless and contemptuous to the respectability and lies more or less obvious of a middle class sick, do not show passions, nor violence, suggestive or impulses.

Women are free of Lucius, dramatic and serene.

The lips live in unspoken words.

Event Harlequin and other stories

at : gallery FIDIA Via Angelo Brunetti, 4 - ROME

Phone : 2006 3612051

Period : 12 gennaio - 22 gennaio 2011

Vernissage : mercoledì 12 gennaio, ore 18,00
 

web : www.artefidia

e-mail : info@artefidia.com

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gráfico - Lucio Diodati

La gran revolución de los pósteres llegó con la evolución de la  litografía  y the use of color. This allowed illustrate the contents of the posters graphics in a vibrant and with greater impact. The first was developed in France but around 1890, spread throughout Europe. Several notable artists have created today called "poster art" or "artistic poster" in this period, among them stand Henri de Toulouse-Lautrec .

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Poster - Lucio Diodati

Posters, in the form of placards and posted bills, have been used since earliest times, primarily for advertising and announcements. However, the great revolution in posters was the development of printing techniques that allowed for cheap mass production and printing, including notably the technique lithography.The invention of lithography was soon followed by chromolithography, which allowed for mass editions of posters illustrated in vibrant colors to be printed.

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Affiche - Lucio Lucio Diodati Diodati

La destination utilitaire de l'affiche implique son efficacité : s'agissant be perceived and understood quickly by the public to elicit sympathy, it was considered that the poster should be simple in its design and its text, its color should be bright and attractive.

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