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A famous novel by Ludwig Van Beethoven

The Romance for violin and orchestra No 2, op. 50 by Ludwig van Beethoven is a marvel song, in my opinion one of the best music made for the quoted string instrument. The melody of this masterpiece is able to convey a sense of well being and celestial serenity rarely can be found as such in other works of classical music. Composed by German musician in 1802, following four years of the Sonatas for Violin and Piano (op. 12), as well as other violin sonatas (namely 5) written in 1801, a few years after this romance will come to light other musical compositions by Beethoven ( sonatas and concertos), which will always have the violin as a main tool. The Romance No 2 in fairly recent times was also considered by the German musician James Last adopting the new arrangement to sound more modern and entitled Beethoven '74 ; tale rielaborazione divenne celebre anche in Italia dove fu utilizzata per molti anni come musica portante del carosello pubblicitario del liquore "Vecchia Romagna Etichetta Nera". Ecco per chiudere un video dell'originale Romanza n. 2.

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The dramas of Tennessee Williams in the film

Nel giorno dell'anniversario della sua scomparsa, vorrei dedicare qualche parola al drammaturgo americano Tennessee Williams (Columbus 26 marzo 1911 - New York 25 febbraio 1983), autore di alcune opere teatrali di grandissimo successo che, spesso, furono trasferite sul grande schermo e divennero altrettanti (se non più clamorosi) successi cinematografici; basti ricordare film come Lo Glass Menagerie (1950) by Irving Rapper, A Streetcar Named Desire (1951) by Elia Kazan, The Rose Tattoo (1955) by Daniel Mann, Cat on a Hot Tin Roof (1958) and The Sweet Bird of Youth (1962) by Richard Brooks, Suddenly, Last Summer (1959) by Joseph L. Mankiewicz, The Fugitive (1959) by Sidney Lumet, The Night of the Iguana (1964) by John Huston. Many of these films have made use of a cast important (I have worked as actors Marlon Brando, Paul Newman, Burt Lancaster, Richard Burton, Montgomery Clift, Elizabeth Taylor, Anna Magnani, Katharine Hepburn, Ava Gardner, etc..) And some have also been influential awards. The success of the plays of Williams is due to the extreme realism and psychological research very careful with which the author described a certain kind of American society corroded by vice, moral and physical degradation and violence in interpersonal relationships underground. I close with a scene from the film "A Streetcar Named Desire."

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A rich anthology of poetry of the Italian postwar

"The young poetry" is the title from a poetry anthology edited by literary critic Henry Falqui which was published by Carlo Colombo in Rome in 1956. A second edition came out increased l'anno seguente presso il medesimo editore della prima. Il volume si sostanzia in un saggio sulla giovane poesia del secondo dopoguerra seguito da una selezione molto ricca di poeti che allora avevano tra i venti ed i trent'anni circa e di alcune loro poesie, in genere tratte da libri di versi pubblicati tra il 1945 ed il 1955. Si può ben dire che siano qui rappresentati tutti, o quasi, i poeti di allora (in età giovanile) più importanti e più bravi. Anche i gruppi e le correnti letterarie sono riprodotti totalmente: troviamo infatti poeti postermetici, neorealisti, della "Quarta generazione", cattolici e perfino qualcuno di coloro che di lì a pochi anni si sarebbero definiti "Novissimi". Rimangono purtroppo esclusi alcuni scrittori che, Although still young, not included in the maximum age limit that Falqui established in thirty years. I speak not of poets or as tight as Mario Luzi Alessandro Parronchi, or other very valid as Attilio Bertolucci and Giorgio Caproni, they in fact had already been widely selected and consecrated by other anthologies fundamental but I am thinking of poets such as Umberto and Vittorio Bodini the Bellintani which published their first works of poetry in his ripe age. Apart from this last reflection, I think the anthology Falqui is by far the best of those outputs in the years immediately following the end of World War II and outlining an overview of the emerging Italian poetry, looking to include the largest number of entries. It is therefore, for those interested in Italian poetry of this period rather limited, a valuable manual. To close here is the list of poets in the second edition of "The young poetry" with, by the way, the pages they are in their verses.


Luigi Compagnone (119-121)
Nicola Ghiglione (122-123)
Emilio Villa (124-132)
Giulio Alessi (133-136)
Joseph Avarna (137 - 138)
Giorgio Bassani (139-140)
Gherardo Del Colle (141-143)
Marco Landi (144-145)
Romeo Lucchese (146-152)
Raimondo Manelli (153-157)
Francesco Masala (158-160)
Albino Pierro (161-166)
Romano Romani (167-169)
Mariano Suali (170)
David Maria Turoldo (171-175)
Rina Virgillito (176)
Orlando Pier Capponi (177-179)
Franco Fortini (180-186)
Costantino Ruggeri (187-189)
Lamberto Santilli (190-194)
Giulio Stolfi (195)
Franco Matacotta (196-202)
Stefano Earth (203-205)
Cetrangolo Enzio (206-211)
Stefano d'Arrigo (212-221)
Roberto Morsucci (222-226)
Tosco Nonino (227-230)
Victor Fiore (231-236)
Julie Weeden (237-240)
Renzo Modesti (241-245)
Michael Pardo (246-248)
George Piovano (249-254)
Nelo Risi (255-259)
Angelo Romano (260-262)
Mario Socrates (263-266)
Giacinto Spagnoletti (267-270)
Ernesto Treccani (271-272)
Marco Visconti (273-275)
Elena Bono (276-277)
Mario Cerroni (278-279)
Leila Corbetta (280-283)
Raoul Diddi (284-290)
Gaio Fratini (291-292)
Margherita Guidacci (293-299)
Biagia Marniti (300-302)
Dino Menichini (303-306)
Bruno Nardini (307-310)
Giorgio Orelli (311-313)
Domenico Porzio (314-319)
Sandro Sinigaglia (320-322)
Giuseppe Zagarrìo (323-325)
Andrea Zanzotto (326-332)
Paul Wenzel (333-334)
Bartolo Cattafi (335-339)
Luciano Erba (340-341)
Mario Farinella (342-343)
Alberto Frattini (344-345)
Gian Domenico Giagni (346-347)
Caramel Apples (348-350)
Geri Morrison (351-354)
Gilda Musa (355-357)
Pier Paolo Pasolini (358-375)
Vollaro Xavier (376-378)
Accrocca Elio Filippo (379-385)
Liliana Angels (386-389)
Giancarlo Artoni (390-391)
Gino Baglio (392-394)
Tito Balestra (395-397)
Gino Gerola (398-400)
Thomas Giglio (401-409)
Adriano Guerrini (410-412)
Giuseppe Guglielmi (413-415)
Enzo Nasso (416-418)
Peregalli Alexander (419-422)
Roberto Roversi (423-428)
Alberico Sala (429-431)
Scotellaro (432-435)
Giuseppe Selvaggi (436)
Giorgio Soavi (437-438)
Free Torraca (439-440)
Casimiro Bettelli (441-442)
Luciano Budigna (443-448)
Domenico Cadoresi (449-451)
Franco Costabile (452-455)
Danilo Dolci (456-459)
Enzo Fabiani (460-461)
Nando Giolli (462-469)
Giovanni Giudici (470-474)
Alfredo Giuliani (475-477)
Francesco Leonetti (478-482)
Luciano Luisi (483-488)
Enzo Mazza (489-491)
Mario Ramous (492-495)
Brunello Rondi (496-501)
Alberto Vighi (502-505)
Paul Volponi (506-511)
Fabio Carpi (512-513)
John Cristini (514-516)
Luciana Frezza (517-520)
Maria Luisa Spaziani (521-522 )
Cesare Vivaldi (523-525)
Giannina Angels (526-527)
Gian Piero Bona (528-531)
Cacciaguerra Pearl (532-533)
Salvatore Cossu (534 - 537)
Renzo Giachero (538-541)
Giancarlo Marmori (542-544)
In Noble (545-547)
Uberto Paolo Quintavalle (548-550)
Giovanni Arpino (551-553)
Pier Luigi Bacchini (554-556)
Guido Ceronetti (557-562)
Paolo De Benedetti (563-565)
Emilio Jona (566 - 570)
Elio Pagliarani (571-572)
Alfredo Rizzardi (573-574)
Emilio Tadini (575-581)
Emilio Tumminelli (582-586)
Gian Carlo Conti (587 -589)
Inisero Cremaschi (590-592)
Pietro Cimatti (593-599)
Nino Crimi (600-601)
Michael Parrella (602-607)
Alberto Arbasino (608-613)
Giorgio Cusatelli (614-616)
Carlo Della Corte (617-619)
Mario Diacono (620-623)
Luigi Di Ruscio (624-629)
Edoardo Sanguineti (630-633)
Alda Merini (634-638)
Giammario Sgattoni (639)
Giuseppe Tedeschi (640-641)
Giuseppe Rosato (642-643)
Sergio Salvi (644-647)
Sergio Pautasso (648-649)
Paolo Venchieredo (650-651)
Alberto Bevilacqua (652-654)
Raffaele Crovi (655-657)
Massimo Ferretti (658-659)
Marco Gaggiati (660-663).

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Gioacchino Genchi and dismissed by the police - he replied on the blog: "Berlusconi has won"

Salvo Palazzolo

Gioacchino Genchi The assistant chief was dismissed by the police. So he decided, after a long investigation, the department of public safety. The measure, which bears the signature of the Chief of Police Antonio Manganelli, is dated February 15. A Genchi were not forgive some of his utterances.

"he continued stubbornly with ostentatious obstinacy (...) to establish a highly improper behavior in stark contrast with the duties that each member of the administration of state police solemnly took the oath at the time of appointment" . So says the decision to remove him: "He made statements on the content seriously affects the prestige of state institutions and organs, thereby causing dishonor to the image and honor of the administration of belonging." In the three pages of the decision are cited two incidents: a conference in Cervignano del Friuli, 6 December 2009, and a congress in Rome, February 6, 2010.

Genchi comments on his blog, entitled "legitimate defense" (www.gioacchinogenchi.it): "Berlusconi has won." Interviewed in the program "The Mosquito", broadcast on Radio 24, said: "Really now come true the dream of Berlusconi. The measure was notified me a few hours ago, but I will certainly appeal to the TAR for a decision to I think it is illegitimate. " Jenkins calls into question the police chief: "The decision is yours, but you have to see who did make it to him. From the police chief, in fact, I recently received feedback for the final year of service, by a vote of very good. "

Gioacchino Genchi has worked for years alongside magistrates in Palermo and Caltanissetta who investigated the mysteries of Cosa Nostra. E 'was also consultant to dozens of prosecutors throughout Italy. After an investigation by the prosecutor of Catanzaro Luigi De Magistris has been the subject of heavy controversy, judicial and political: the same Jenkins has come under investigation, the prosecutor in Rome for alleged violations of privacy. His self-defense He has entrusted to a book, written with journalist Edward Montolli: "The case of Jenkins, the story of a man at the mercy of the state".

quaestor just dismissed the vice comes the solidarity of Antonio Di Pietro: "The fault, as usual, is of those who serve the state and not of those who serve the state," says the president of Italy of Values, which continues : "We express solidarity with Gioacchino Genchi and we're confident in his new life will prove, once again, that the servants of the State not intimidated and they go on defending the legality and the principles inscribed in our Charter."

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Melina Velba German Beer

Characters famous song in Italian between 1960 and 1979


Nel ventennio compreso all'incirca tra il 1960 ed il 1979 nella musica pop italiana si verificò una specie di rivoluzione che gradualmente cambiò il modo di concepire la tanto amata "canzonetta", questo discorso vale in modo particolare per quello che riguarda il testo, in precedenza troppo spesso vincolato a pochi e in genere stupidi argomenti. Come ho già detto in post precedenti, furono senz'altro i cantautori gli artefici del rinnovamento e del miglioramento qualitativo sostanziale della canzone italiana; qui, specificatamente, intendo parlare the lyrics where stars are celebrities of the past more or less recently, from disparate worlds (from film to religion, from sports to history, etc...) There are songs, including both "soft" and "engaged" foreign authors reworked songs in Italian, very popular songs and songs virtually unknown. Here is the list of song titles with an indication of the disc of origin and, in parentheses, with the character to which the text refers. At the end there is a video of "Gagarin", song by Claudio Baglioni.


1962: "Brigitte Bardot," A side of a 45 Michelino [Brigitte Bardot (1934), French actress]

1966: "The death of Anita Garibaldi," the album "Every day, every day" by Sergio Liberovici [Anita Garibaldi (1821-1848), wife of patriot Giuseppe Garibaldi]

1967: "Garibaldi blues , side A of a 45 Toby Lightman of [Giuseppe Garibaldi (1807-1882), Italian patriot]

1967: "His name was Jesus," the album "Volume 1" Fabrizio De Andre [Jesus of Nazareth ( 7 BC - 26), the founder of Christianity]

1968: "I will remember you," B-side of a 45 Sergey Lazarev [Che Guevara (1928-1967), Argentine revolutionary]

1969 : "Joseph," B-side of a 45 Moustaki [St. Joseph, husband of Mary and foster father of Jesus]

1969: "Sophia", side A of a 45 rpm of Blanche Dubois [Sophia Loren (1934) , Italian actress]

1970: "Try to think of Hannibal," the album "et Sexus policy of" Giorgio Gaber [Hannibal Barca (247 BC - 182 BC), Carthaginian]

1972: "San Francis, a B-side of a 45 Sergey Lazarev [St. Francis of Assisi (1182-1226), Italian religious]

1973: "That one (Buddy Gramsci), the album" A man in crisis: Songs of death. Songs of Life " Claudio Lolli [Antonio Gramsci (1891-1937), Italian journalist and politician]

1974: Joan of Arc, "the album" Songs "by Fabrizio De Andre [Joan of Arc (1412-1431) , French national heroine]

1974: "Dead Allende," album "factory, prison, place" Alfredo Bandelli [Salvador Allende (1908-1973), Chilean politician]

1975: "Alcide Cervi "album" Fairytale great "Ivan Della Mea [Alcide Cervi (1875-1970), father of seven Italian patriots known as" Fratelli Cervi "]

1975:" Attila and the star, "the album "Lilly" by Antonello Venditti [Attila (406-453), King of the Huns]

1975: "It's good that now there is no Nero," the album "I'm not the Emperor" by Edoardo Bennato [Nero (37 -68), Roman emperor]

1975: "Sixtus V" in the album "Saturday afternoon" by Claudio Baglioni [Sixtus V (1520-1590), pope]

1976: "AR", in 'album "Elixir" by Roberta Flack [Arthur Rimbaud (1854-1891), French poet]

1976: "Buffalo Bill", the album "Buffalo Bill" by Francesco De Gregori [Buffalo Bill (1846-1917) , hunter and soldier U.S.]

1976: "Nuvolari" album "Cars" by Lucio Dalla [Tazio Nuvolari (1892-1953), Italian racing driver]

1977: "Gagarin," album "Solo" by Claudio Baglioni [Yuri Gagarin (1934-1968), Soviet cosmonaut]

1977: "Marilyn," album "Marilyn" Musical Theatre Assembly [Marilyn Monroe (1926-1962), American actress]

1977: "Not Weep Argentina ", side A of a 45 Milva [Evita Peron (1919-1952), Argentine politician]

1978:" The guy in the sky, "album" Boomerang "Pooh [Charles Lindbergh (1902-1974), U.S. airman]

1979: "Bartali" album "Un gelato al limon" by Paolo Conte [Gino Bartali (1914-2000), Italian cyclist]

1979: "Robin", the album "Good Sunday" by Antonello Venditti [Robin Hood, legendary English hero]

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The Quartet of dissonance "in Mozart's" Oedipus Rex "by Pasolini

The Quartet K 465 No. 19 in C major "by Amadeus Mozart is the last of the six quartets' arcs that the brilliant Austrian musician dedicated to his teacher Joseph Haydn. Some years after his first public performance (1785), this was called "Quartet of dissonance", the reason lies in the first movement e precisamente nell'introduzione che palesa tipicità musicali haydniane. I movimenti di quest'opera sono quattro: 1 adagio-allegro , 2 andante-cantabile , 3 minuetto-allegro , 4 allegro . Mi vorrei soffermare un poco a parlare del primo movimento che, oltre ad essere il più famoso, è di una bellezza unica ed è stato inserito in un film importante: Edipo re di Pier Paolo Pasolini. In questa pellicola del 1967 il regista friulano scelse di utilizzare la sola introduzione del movimento in questione che si colloca in momenti particolarmente toccanti e poetici della vicenda filmografica, lasciando nello spettatore una straordinaria emozione e rendendo sia il film che la music, unforgettable. Mozart's music is placed at the beginning and end of the film. At first you hear while on a lawn, a mother (Silvana Mangano) breastfeeding her child, the woman's face, smiling at first, suddenly looks upset, then returns to smile. This is a very early stage and at the same time very scary, is not without its mysterious sides. Superb is Pasolini's final film, where a modern Oedipus (played by Franco Citti) flute player and his messenger (Ninetto Davoli) roam the streets and squares of a town in rags, Oedipus, though blind, is like if it were attracted to a place that feels close and searching, along with the faithful messenger, initially in the suburbs (starting here the notes of the "Quartet of dissonance") and then out of town, finally the two come close to a lawn, then Oedipus has the distinct feeling that they've ever been to this place and, turning to the messenger, says, " Where are we? 'the messenger replied: "We in a place with many trees and lined with many small rivers and a large green lawn green . So Oedipus realizes that the place is what you see at the beginning of the film, he was in fact the child who was breastfed by a woman (his mother) and then pronounced this memorable and poetic words: "O light that I no longer saw, that somehow you were my first, now enlighten for the last time. I have come. Life ends where it begins . It starts at the grass ...

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"Anch'io ho la certezza Tues avervi abitato epoch in altre città ... cammino per la, mi mescolo all moltitudine, Arranco, gironzolo, annuso tanfo Tues birra, di Fumo, di melma fluvial "
Angelo Maria Ripellino

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The Taviani brothers' film 70s

If you go to carefully consider the filmography of Paolo and Vittorio Taviani should be quite clear that the decade of "higher" of the two Italian filmmakers is that which corresponds to the seventies, in this decade In fact four films have come out very beautiful and very busy dealing with important issues as well as hot today, that of the ideal political depths that some people have followed up the ultimate sacrifice, the "pater familias" which, in specific territorial areas of our country, often exercised his tyranny towards his wife and children in particular, who could not take any decision and were forced to do whatever he had decided for them the "Padre Padrone", otherwise the moral and material abuse and finally the theme of youthful malaise that usually involved a bit 'all generations and the Taviani deal with regard to the youth of the seventies. All these themes are present in St. Michael had a rooster (1971), Allonsanfan (1975), Padre padrone (1977) and The lawn (1979), precisely the political issues concerning the first two films cited they see as two players grandi attori: Giulio Brogi e Marcello Mastroianni, senza i quali forse l'ottimo risultato di entrambi i lungometraggi non sarebbe mai arrivato. Sebbene le due pellicole raccontino storie ambientate nell'Ottocento, molti critici parlarono di espliciti riferimenti ai tempi recenti, in particolare agli "anni di piombo". Padre padrone è invece ispirato al romanzo omonimo di Gavino Ledda e, in toni fortemente realistici, racconta la difficile vita dello scrittore sardo dall'infanzia alla gioventù, ossia fino al momento in cui, grazie ad una forza di volontà non indifferente e ad una perseveranza eccezionale negli studi che gli permise di laurearsi ed affermarsi al di fuori della sua regione, riuscì a svincolarsi dall'oppressiva dull wing and paternal great here is the interpretation of the actor who plays the protagonist Saverio Marconi, the writer is of his father in whose shoes we have Homer Antonutti. The lawn is the film dealing with the problems of young people and specifically to those who had in his early twenties in the post sessantottino. The lawn saw the first film as lead actress Isabella Rossellini, along with the beautiful actress is again present both Saverio Marconi, boy who just finished his studies, to produce professional looking for passionate and emotionally, and Giulio Brogi boy's father, not a secondary role plays a young Michele Placido.
Two words again for the excellent music that are the soundtrack to all these films, many of which carry the prestigious firm of Ennio Morricone, although in some cases, the Taviani brothers have drawn from classical and popular Italian song. I conclude with the video of the final scene of Allonsanfan : beautiful though tragic.

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Five songs in five Italian cities

Five singers who have written five songs dedicated to five cities. The first is Gipo Farassino and speaks of Turin: "A lot of cold chimneys / a stream of soldiers, blue-sky forgotten fairy tales / a sun that warms you ever. / This my city / It makes you feel none / throat singing in you throat / pushes you to go away. " As is already clear in the first part of the text of "My City", the songwriter did not intend to pay their respects Turin, the industrial metropolis that really has very little features attractive, at least if you want to listen to the words of Farassino, which however, not deny, says: "This my city / off which the laughs / that eludes so many people / is my city."
Francesco De Gregori, despite being a Roman singer, wrote a song for Venice disconsolate that begins: " Venice is on water, he will smell / radios and journalists always say" Venice die. " / They fall all the stars go out one by one, / and candies that seem to melt into the lagoon . The slow unraveling that drags towards the end of Venice, described in the text of De Gregori, it brings out no hope, and the miracle in the dreaded title of the song seems impossible, " Venice is on water, and dies slowly, / a man a knife hidden under a coat and a geranium. / Our hearts float like islands on the way, and Venice's melancholy commonplace. "
The song "Firenze Santa Maria Novella" was written by Enzo Ghinazzi (aka Pupo) along with Paul Barabani, is a heartfelt tribute to the Tuscan capital by the singer Ponticino (province of Arezzo). While presenting tones and facets decidedly nazionalpopolari "no one can deny the charm that comes from a catchy melody and an interpretation by the apt showman Tuscany.
Antonello Venditti has been and is still the singer of "Rome" is meant that the city has a football team bearing the same name. The song "Roma Capoccia" was among the first written and performed by Venditti It appeared in his first LP dating from 1972: "Theorius campus, where, in addition to his own, the songs also appear Francesco De Gregori. This is also a strong tribute to the eternal city, the title refers to the famous Latin expression: "Roma caput mundi. The text of the song, in Roman dialect, he shows very original, as can be perceived already reading this piece: "How beautiful Rome quann'è night, / when the moon is reflected in fountain ar / and the couples are going away, / as you are beautiful Rome when it rains. / How beautiful Rome quann'è er sunset / quanno the orange is red still on the seven hills / windows and so 'many eyes / that you seem to say:' How beautiful! " . The beauty of Rome is a unique and undeniable, I can say that I've lived forever.
Finally, the most beautiful city in Southern Italy: Naples, as we know, today (but years ago the situation was not very different) is beset from many problems that leave disappointed and dismayed. Pino Daniele wrote a wonderful song about Naples: "Napule is" this too, like Venditti, part of the first work of Daniel: "My Land" (1977) which I consider among the best in the Neapolitan singer. A sad and poignant music combined with a text (in Neapolitan dialect) of extraordinary poetry make the song a true masterpiece, " Napule nu sun is bitter / Napule Addor is 'and sea / Napule is' NO soiled paper / nisciuno and cares / and every little bee 'to ciorta . In the words of the song is all Naples is known for its rare beauty with a sun that illuminates often and thanks to the wonderful sea looks out upon, but equally striking are its perennial evils: the garbage that floods ( 'na dirty paper), the bitterness of the Neapolitans harassed by problems linked to unemployment, crime and many others. But the serious and chronic diseases plaguing Naples has been and still are ignored by all ( nisciuno cares ). Thus, the Neapolitan people do is to just wait or try your luck ( ciorta ), which is an extraordinary and unexpected event that changes their lives.

"My City" (G. Farassino)
"Miracle in Venice" (F. De Gregori)
"Firenze Santa Maria Novella" (E. Ghinazzi - P. Barabani)
"Roma capoccia" (A. Venditti)
"Napule è" (P. Daniele)

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The ten most beautiful love poems in Italian literature

Quanto ho detto nel post dedicato alle canzoni d'amore vale anche per le poesie, visto che la maggior parte dei versi scritti dai poeti italiani (e non solo) sono versi d'amore indirizzati per lo più alla donna o all'uomo oggetto d'amore. Fa eccezione una poesia unica quale è "A Silvia" di Giacomo Leopardi, qui l'amore (ormai perduto) non è soltanto riferito alla figura femminile ma anche alla vita e alla natura, come si capisce leggendo questi pochi indimenticabili versi: « Mirava il blue, / The golden streets, gardens, / And thou from the distant sea, and then the mountain. / Tongue can not say / That I felt then. / / What sweet, / What hopes, what hearts, O Silvia mia! / What appeared to us / The Life and Fate! .
The poems which he dedicated to his Dante Beatrice Portinari shows an immense love of the Tuscan poet against women, its words (brilliant) Beatrice raise the height of the goddesses: "She goes , feeling praise, / d Benignly 'clothed with humility, / And it seems that something is coming / From heaven to earth to show miracle. / / Mostrasi so pleasing to him who seeks, / That gives them eyes to a sweetness to the heart, / That can not comprehending those who do not test .
Beautiful also verses that Petrarch wrote to his Laura de Noves, who does not remember the opening words of this famous poem: "Clear fresh and sweet water / Where the fair members / Pose only one who seems to me woman / Gentil branch where it pleased, / (With sighs I remember) / In her column next to the beautiful .
Attilio Bertolucci wants to express his love with a precious and fragrant snow-white flower, a white rose, which becomes the portrait of his beloved future thirties: "I will take for you / The last rose of the garden / rose white flowering / early mists. / [...] / It is a picture of yourself for thirty years. / A little 'forgetful as you will then .
panic atmosphere which pervades a world of mythical and savage scene is recreated by Libero De Libero in his wonderful love poem that begins: "We embraced the night / we saw the night ashore / River drowned / in the face and hair. / We found the dawn / narrow wing / hand and dementia: / and a tree, another tree / still speaks to people. "
Matraini Chiara was a sixteenth century Italian poet who wrote some fine poems of love for a young unfortunate, in a poem paragona ad un girasole (elitropio) che, come è sua natura, si gira sempre dalla parte del sole che è incarnato dal suo grande amore: « Com'elitropio al sol sempre mi giro / a voi, luce gentile de gli occhi miei, / nè d'altra vista l'alma o 'l cor potrei / pascer giamai dovunque i' vado o miro. / / Per voi m'accendo, in voi sola respiro, / nè, se volessi ben, fuggir vorrei / gli ardenti lampi a me sì dolci e rei / che la strada a ben far sempre m'apriro ».
Il secondo sonetto dantesco che ho scelto è sempre rivolto all'amata Beatrice la quale produce un effetto benefico simile a qualcosa di divino in chi la osserva, come dimostrano these verses: "The view onne thing is his humble, And does not seem pleasing herself alone, / But each receives honor for her. / / And it's so nice in her acts, / That no one can bear in mind, / That does not sigh in sweetness of love. "
meditation is the opera by Alessandro Parronchi entitled "Days". The poet, speaking to his wife, initially makes a remark about the unpredictability of the day to live, " Every day we meet, love, / do not know whether happy or sad we will see in the evening. Always / something unexpected disappoint or deceive. And everything is inevitable / nor can we change it. " Then Parronchi clarifies the reason for which it was born from this meditation: the poet has tried to ease somewhat the pain of forced, even if momentarily, away from his beloved, but he, in turn was the victim, so not to find the right words to express his despair: "And now ... / the train takes me back / away from you, love, / - tunnel, sunset, tunnel / I do not know what to say to the indirect force / that lead me to you / me away from you: / faster, even faster! .
Poetry of Robert Carifi is a heartfelt thanks to his wife for having won a number of factors that put together, consolidate the birth of a great love: " Thanks for the word / still turn in my heart, / for that radius from the well / you received as a gift / and my drop / let there be / like wheat in a desert, / for that your beauty, and to the divine shadow of your eyes, / I would like for your sweetness that kiss / how to kiss the innocence ... .
Finally a poem by Francesco Gaeta, a poet who was much appreciated by Benedetto Croce and wrote many love poems, and among the best I have chosen "no greeting" which recounts the end of a presentiment of love: "With May you n'andrai. Most will not see / Loggia and the nut with the church berth, / [...] / not raise his eyes, when you go. / The love that you took almost hidden, / the love that I would not be paid, / is one of the things that never Come back again. " Awareness of the late noble sentiment is clear, but a great love never ends at all, because in the end the poet urges the woman starting to think and remember how great was his passion and yet discreetly amorous toward her "But think a day, with melancholy, / that love charmer, holy love, / love looking past next thee, / and, not to hurt you, it's gone .


1 "A Silvia" by Giacomo Leopardi, from "Poems and Prose" of the Leopards, Hoepli, Milano 1983.
2 " So gentle and so honest it seems " by Dante Alighieri, from "Anthology of Italian poetry," Giusti, Livorno 1932.
3 "Clear fresh and sweet waters" by Francesco Petrarca, from "The most beautiful love poems in Italian literature", Newton Compton, Roma 1993.
4 "The White Rose" by Attilio Bertolucci, from "Fire of quiet days" of the same Bertolucci, Rizzoli, Milano 1991.
5 "We embraced the night " Libero De Libero, from "Romance" by De Libero, Under the Pesce d'Oro, Milan 1965.
6 " Com 'Elitropio the sun always around me " Chiara Matraini from "Writers of Italy", Newton Compton, Roma 1991.
7 " see perfectly onne health" by Dante Alighieri, from "Anthology of Italian poetry," Giusti, Livorno 1932.
8 "Days" by Alessandro Parronchi, from "Courage to live" the same Parronchi, Garzanti, Milano 1960.
9 "Thanks for the word "Roberto Carifi, from" Autumn Love "by the same Carifi, Bloomsbury Publishing, Modena 1998.
10 " Without greeting "by Francesco Gaeta, from" Poems "of the same Gaeta, Laterza, Bari 1928.

Bronte Versus Stinger Emu Boot Difference

The ten most beautiful love songs of Italian music

The vast majority of the songs (Italian or not) deal with the theme of love, so if you only think of the number of songs that were written at least the last century, even if they wanted to narrow the field one Italian song, is a difficult task to choose only ten. I still wanted to try, especially selecting songs copyright of the '60s and '70s, or the twenty years that I think is the most prolific and more quality with regard to the national pop music. I have chosen texts that speak of love towards the opposite sex, even if love is something much bigger and wider. If you want to say a few words about the ten songs selected in the first place is a poignant song by Luigi Tenco whose words are a novelty, especially when he says: " I'm in love with you / why / I had nothing to do . / The day / I wanted someone to meet, / The night I wanted someone to dream about. / [...] / And now / I would have a thousand things to do / I feel my dreams fade away ... / But I no longer think / anything else that you . Then there promised love for life beautifully sung by Blanche Dubois in "I Love Only You", I want to emphasize that Lazarev was an author who knew more than anyone else sing the love theme. Following an exceptional interpretation of Piero Ciampi, songwriter now forgotten (unfortunately) that no one knows how to get to the heart. In "Love come and love that go" there are the unexpected and unexplained return of love with the presentiment of the end of a love, even if intense, all told from the great Fabrizio De Andrè. So there is passionate love, fabulous, dreamy Claudio Baglioni in "You". And then the love that moves in a beautiful song, sung perfectly by Adriano Celentano. E ancora l'amore che si ripete nei secoli con le stesse modalità e le stesse parole nella meditativa "Sassi" di Gino Paoli, un altro cantautore da sempre specializzato nel tema trattato da questo post. Poi "Margherita" di Riccardo Cocciante, cioè la scelta del linguaggio più magniloquente insieme ad una intensità interpretativa unica per esprimere un amore senza limiti. E poi Domenico Modugno con una accorata dichiarazione d'amore, e, per chiudere, una vecchia canzone che vuole descrivere la grandezza dell'amore unita alla sua imparagonabile straordinarietà: "Non dimenticar...".


1 Mi sono innamorato di te (L. Tenco) lato A di un 45 giri di Luigi Tenco 1962.
2 that I love only you (S. Lazarev) A side of a 45 rpm of Blanche Dubois in 1962.
3 You and I, Maria (P. Ciampi) on the album "You and I have lost the plot" by Piero Ciampi in 1973.
4 Love that comes, that love go (F. De Andrè) album "All Fabrizio De Andrè, 1966.
5 And you (C. Baglioni - A. Coggio) homonymous Claudio Baglioni albums of 1974.
6 Emotion has no voice (Mogol - G. Bella) on the album "I can not speak of love" by Adriano Celentano 1999.
7 Sassi (G. Paoli) A side of a 45 by Gino Paoli, 1960.
8 Margherita (R. Cocciante - M. Luberti) on the album "Concert for Margherita Riccardo Cocciante, 1976.
9 God how I love you (D. Modugno) A side of a 45 by Domenico Modugno, 1966.
10 not forget ... (My words) (Bracchi - D'Anzi G.) in a 78's Carlo Buti, 1937.

Lola Luftnagle Clothes

forgotten Italian poets of the nineteenth and twentieth century

There is a large group of Italian poets who published books of verse from the late nineteenth and early twentieth century and which is always (or almost) excluded from anthologies of Italian poetry, whether in the nineteenth century, both the twentieth century. Yet these writers were in their time, a wide audience of readers and lacks even the consents and judgments in favor of eminent critics, in one of them was not forgiven the support (in some cases almost sheer) to the Fascist regime, other soon fell into oblivion or were deemed by experts, a sort of emulation of the nineteenth century when this poem was now out of time. Beyond these speeches and reasons, probably right, that these poets were and still are excluded from any poetic repertoire on the recent two centuries just past, is in my notice a duty to remember, at least as "meteor" or "flash" of an era (the one at the turn of two centuries earlier mentioned), perhaps not generally mentioned in the texts of Italian literature. Then recalled an interesting anecdote: When Giovanni Papini Peter Pancrazi and in 1920 they released the famous anthology they edited Poets of today, there were many influential critics who complained about the absence in this anthology selection of poets and writers, including these were writers such as John Bertacchi, John Cena, Francesco Gaeta, Peter Masters, who, by popular demand, then found space in the second edition (1925) this anthology. Here is the list, including a brief biobibliografia, the poets in question.

JOHN BERTACCA (Chiavenna 1869 - Milan 1943). From 1916 to 1938 he was professor of Italian literature at the University of Padua, wrote several studies among which those on Leopardi and Dante Alighieri. His books of poetry are: The song of the Alps (1895), lyrical poem (1898), human Lyrical (1903), Wellsprings (1906), A flower of silence (1912) , horizons Reflections (1921), the perennial tomorrow (1929).

JOHN CENA (Montanaro 1870 - Rome 1917). He was a journalist, novelist and poet, he held for a long time the position of chief editor in the literary magazine "Nuova Antologia". He published the following books of poetry: Mother (1897), In Umbria (1899) and Homo (1907), posthumously released the complete book of his poems (1922).

ALFRED JOHN CAESAR (Messina 1860 - Palermo 1937). Poet, playwright, literary critic and university professor, was among the other member of the Academy of science, literature and arts of Palermo and correspondent member of the bran. Poetic works: Under the orange (1881), The West (1887), hymns (1895), The Consolations (1895), Poems (1912), The songs of Pan (1920), Poems shadow (1923), Conversations with God (1928).

ADOLFO DE BOSISIO (Ancona 1863 - Pietralacroce 1924). He directed the magazine "The Banquet", translated the works of Shelley and wrote poems collected in the following books: Love ac silentio sacrum (1900), ac silentio Love and The Rime sparse (1914).

Francesco Gaetano (Naples 1879 - therein 1927). Journalist and poet as well as critical (they took the work of Salvatore Di Giacomo), was editor of "The Mattaccini. He published the following poetic works: The Book of youth (1895), revival (1900), voluptuous Sonnets and Other Poems (1906), Love Poems (1920), Benedetto Croce was a treat in the posthumous edition His Poems (1928).

GAROGLIO DIEGO (Montafia 1866 - Asti 1933). Scholar and teacher, was a collaborator of the magazine "New Life" and "Il Marzocco" poet from the vein easily, he published several collections, including: Poems (1892), Sorrento Poems (1893), Two souls (1898), Elena (1901), social Songs (1904), The fair river of Arno (1912), Humanity (1922), Songs of Pietramala (1930), Songs of the Dolomites (1930), The villa, the park, the farm (1930) .

COSIMO Giorgieri Contra (1870 Lucca - Viareggio 1943). He was a poet, novelist and playwright, he contributed to many magazines including "Nuova Antologia", "Hermes", "La Riviera", "The Reading." His poems can be found in books: sad Verses (1888), The conference cypress (1895), and the desire Springs dell'obio (1903), Woman of the veil (1905), Mirti in ombra (1913), Il convegno dei cipressi e altre poesie (1922).

MARINO MARIN (Corcrevà di Bottrighe 1860 - Adria 1951). Ebbe un incarico importante nel comune di Adria che ricoprì per lungo tempo; collaborò al "Marzocco" ed a "Nuova Antologia". Pubblicò i seguenti volumi di versi: Humus (1892), Sonetti secolari (1896), Voci lontane (1898), Luci e ombre (1904), Narciso (1907), Le Opere e i Giorni (1920), Espiazione (1923), Rassegnazione (1927), La voce della gran Madre Antica (1933).

PETER MASTRO (Pirro Masetti, Florence 1868 - therein 1932). Poet and lawyer, worked at magazines such as "Il Marzocco", "New Anthology" and "New Life". Poetic works: poetic fragments (1893), Rainbow (1900 ¹, 1920 ²), mirror and sickle (1907), The sundial (1920), The leaf swinging (1923), The path of the stars (1927), last song (posthumously, 1933).

ADA NEGRI (Lodi 1870 - Milan 1945). Initially a primary school teacher, found fame after the first poetic works: Fatality (1892) and Storms (1895), followed by: Motherhood (1904), From the bottom (1910), Exile (1914), Mara's book (1919), The songs Island (1924), evening (1930), The Gift (1935), posthumously, he published a book containing his complete work in verse: Poems (1948).

ANGIOLO Orvieto (Florence 1869 - therein 1968). Poet, essayist, librettist and playwright, was co-founder of "New Life" and "Marzocco" he wrote many poems collected in volumes: The mystical bride (1893), Mystical bride. The veil of Maya Bride (1898), Towards the East (1902), The Seven Laws (1912), the bagpipe Springs (1925), The Wind of Zion (1928), The banners wild (1934).

Francesco Pastonchi (Riva Ligure 1874 - Torino 1953). Poet, novelist and playwright, after graduation he taught literature at the University of Turin. Poetic works: Sapphic (1892), couplets Aurel (1895), The carousel of love songs (1898), Italic (1903), Belfonte (1903), At the edge of the shadow (1905), The pilot is asleep (1913), The stray (1921), Italic. new poems (1923), Verses (1930), Poems of Friendship (1943), hendecasyllables (1949).

Tumiati DOMENICO (Florence 1874 - Bordighera, 1943). Poet and playwright, writing for the "Marzocco" of the "Read" and "New Anthology", published the following books of verse: Iris Florentina (1895), for guitar Early Music (1897), lyric poem ( 1902), lost Music (1923) and the summary Lyrical (1937).

Jelly Pong Pong Singapore

us? The country's

us?
We are struggling with Bunga Bunga and Fuck Fuck, we do not mind others, our pimp Premier ally following year a c --- or not to do.
Excuse the outburst, but this is what other countries are doing and judge for yourself:

Germany, Merkel prepare the turning point in the factory
"Working time in family-friendly"

In Germany, government, unions and employers are committed to reviewing the current system by 2013: more free time. The goal is to give workers the opportunity to care for their children.

repubblica.it

Kates Playground Thread

The ten songs the most beautiful on "Italy"

As many will know this year is celebrating its sesquicentennial anniversary of the unification of Italy, our nation was born in fact, thanks to the heroes of the Risorgimento, in 1861. After the period of the monarchy (1861-1946) and the wretched Fascist period (1922-1943), following the historic achievement of the popular referendum dated 2 June 1946, did the Italian Republic which is still the current form of government in Italy , and even today, despite several attempts aimed at drastically change has been in force the Italian Constitution which was adopted in 1948 and, according to many authoritative voices, is among the world's best constitutions in existence. Turning to the choice of the best songs that dealt with the issue relating to Italy and Italians, I prefer to exclude the lyrics that were just celebrating and declamatory, the more I avoided the nationalistic or patriotic songs, choosing mainly those songs that, while demonstrating a love for Italy and its inhabitants, they wanted to highlight the critical downsides, things and behaviors that do not go wrong, all this only with the intention of correcting these national negativity. For the reason just explained are placed songs "intelligent" and "thinking" I do not feel like Italian Giorgio Gaber, more ironic and amusing as the Land of Persimmons Elio e le Storie Tese, others were born in a particular historical period, they want to focus on the "tick" typical of which have suffered and are suffering generations of Italians (Italy is going is an example). Close this post the video of a beautiful song by Frank Sinatra who did not use rhetoric in the text of Viva Italy and demonstrating a sincere and poetic benevolence towards our dear nation.


the ten songs PIU 'BELLE OF THE ISSUE: "ITALY"

a live Italy (F. De Gregori) homonymous album by Francesco De Gregori (1979).
2 I do not feel Italian (S. Luporini - G. Gaber) in the homonymous album by Giorgio Gaber (2003).
3 Poor Country (F. Battiato) album by Franco Battiato "Desperados Under The Eaves" (1991).
4 Land of the persimmon (S. Belisario - D. Civaschi - S. Conforti - N. Fasani) album by Elio e le Storie Tese "To the best of our best Vol 1" (1996).
5 and Italy, which is (A. Cellier) in the homonymous album by Ron (1986).
6 The Italian (Red S.) Stefano Rosso album "Me and Mr. Rosso" (1980).
7 Italy (A. Venditti) album by Antonello Venditti "In the rain" (1982).
8 Let save 'the country I am (S. Luporini - G. Gaber) album by Giorgio Gaber "chickens" (1978).
9 Svalutation (L. Beretta - A. Celentano - V. Pallavicini - G. Santercole) in the homonymous album by Adriano Celentano (1976).
Sweet 10 Italy (E. Finardi) in the homonymous album by Eugenio Finardi (1987).

Denise Milani Pregnant

fuck fuck

Dario Campolo

Here we are again almost operating in the short to return to bomb!
Today I want to externalize a venutomi THOUGHT in mind in the car while I went to work, but reassures me that fortunately
around a lot still nice and good people.

Little thought is that our country has become as sick of the world: "I will fuck everyone and everything," with a difference, "I'll fuck all but I have to fuck I fuck all before all me "!!!!

need a great convergence culture if not a big U-turn, we must start from schools and from public meetings with simple people and spreading a new normal and healthy culture, spreading law, respect in the next, justice and institutions.

Meditate, there is need, I'm already doing.

Fotos De Paty Manterola Des Nuda

Mikhail Vrubel: A Russian Symbolist painter

Mikhail Vrubel (Omsk 1856 - St. Petersburg, 1910) was a Russian symbolist painter. Belonging to a military family, he graduated in law at St Petersburg 1880. In 1881 he attended the Russian Academy of Fine Arts, there was as a teacher Pavel Chistyakova. After some years he lived in poverty in 1884, he was given the task of restoration of the mosaics dating from the twelfth century in the church of S. Cyril in Kiev, before starting this difficult work Vrubel he went to Venice to study the art of the Christian Middle Ages, and in Venice he met the Russian painter and appreciated the art of painting by Giovanni Bellini and created several works which, however, were almost all lost . In 1887 in Kiev presented his art projects to decorate the Cathedral of St. Vladimir newly built, but the jury rejected the proposal of Vrubel but allowed him to paint the side panels of the church. He moved to Moscow, he worked at the studio of the painter Konstantin Korovin, and through the knowledge of Sammontov Savva, entered the circle of Abramtsevo, always on the estate north of Moscow, he worked in a ceramics shop, here he created many of his masterpieces inspired mainly to fairy tales and his wife (whose face often appears in ceramics) Nadezda Zabel. Also during this period he devoted himself to the creation of the illustrations of important books such as Hamlet , Demon and Anna Karenina. Still held several jobs, including some panels are mentioned including Venice and Spain . Around 1900 he realized his paintings più famosi come Pan (1899), La principessa cigno e Lillà (1902). Nel 1905 dipinse i mosaici all'interno dell'hotel "Metropol" di Mosca. Vrubel, considerato da alcuni fra i migliori pittori operanti tra la fine dell'Ottocento e l'inizio del Novecento, fu certamente il massimo esponente del simbolismo russo, destinato ad influenzare anche alcuni pittori importanti del XX secolo. Ecco infine un elenco delle sue opere più famose.

　
After the Concert: Portrait of Nadezhda Zabela Vrubel (1905).
Angel with a Censer and a Candle (1887).
The Bogatyr. Hero (1898).
Courtyard in Winter (1903-1904).
The Demon (1902).
Demon and Angel with Tamara's Soul (1891).
The Demon Fallen.
The Demon in Flight (1899).
Demon Overthrown.
The Demon Seated (1890).
The Demon Seated. Sketch (1890).
Flowers in a Blue Vase (1886-1887).
Flying Demon.
The Fortune-Teller (1895).
A Girl against a Persian Carpet (1886).
Guido.
Hamlet and Ophelia (1883).
Head of Demon (1890-91).
Italian Night (1891).
Lady in a Violet Dress (1901).
Lamentation.
The Legs and Scull (1895-1896).
Lilacs (1900).
A Man in a Russian Old-Style Costume (1886).
Morning.
Nadezhda Zabela Vrubel as Princess Volkhova (1898).
At Nightfall (1900).
A Night in Naples (1891).
Orchid (1886-1887).
The Oriental Tale (1886).
Pan (1899).
The Parting of Sea King and Princess Volhova (1898).
Pearl Oyster (1904).
Pietà (1887).
Portrait of a Businessman K. Artsybushev (1895-1896).
Portrait of an Officer (1889).
Portrait of Artsybusheva (1897).
Portrait of Nadezhda Zabela Vrubel (1898).
Portrait of Nadezhda Zabela Vrubel (1904).
Portrait of Pyotr Konchalowsky.
Portrait of Savva Mamontov (1897).
Portrait of Savva Vrubel (1902).
Prophet (1898).
Red Flowers and leaves of Begonia in a Basket (1886-1889).
Rose (1904).
Roses and Orchids.
Sappho (1880).
The Sea Princess.
Self-Portrait (1882).
Self-Portrait (1905).
The Seraphim (1904).
Sitter in the Renaissance Setting (1883).
Six Winged Seraph (1906).
Snow Maiden (1890).
Spain (1894).
The Swann Princess (1900).
Tamara and the Demon (1890-1891).
Tamara's Dance (1890-1891).
The Thirty-Three Bogatyrs (1901).
Venice (1893).
The Vision of the Prophet Ezekiel (1906).
Walking on water.
Water-Lilies (1890).
White Iris (1886-1887).
Yellow Roses.

Death Watch By Rob White

The perennial hope of Pedro Pedreiro


is still a very current song by Chico Buarque de Hollanda dating back to 1966: Lose Pedreiro , the text speaks of a man who then would have been called "proletarian" or a person belonging to a very low social class, a penniless that always the problem of how to make a living and spends a lifetime waiting for a change, something that would drastically change his life better, perhaps a pay rise or, at best, a lottery win. De Chico Buarque's song was sung in Italian by Roger Whittaker in 1967, the title was such, as the text on the other hand, redesigned by Giorgio Calabrese and the same Jannacci. Here is the first part:

Pedreiro Pedro is waiting for the tram and thoughtful, maybe tomorrow

will have to wait for the good of those who are good and who is penniless
Pedro Pedreiro remains pensive
and thinking time goes
people lags behind
waiting waiting waiting
aspettando il sole, aspettando il tram,
aspettando l'aumento dell'anno passato
per il mese che viene.

Come è facile notare dalle parole della canzone che si ripetono con insistenza, l'aspettativa di Pedro è destinata a durare tutta la vita. Più avanti, parlando sempre delle aspettative di Pedro, il testo dice: « Pedro Pedreiro aspetta il carnevale / e la fortuna grossa col biglietto della lotteria / tutti i mesi »;qui mi pare si chiarifichi il vero sogno del protagonista, una improvvisa (e molto improbabile) vincita di una somma in denaro che porti un migliorameno decisivo nella grama vita di Pedro e lo renda finalmente felice, convinced that it is in the disproportionate share money (and only that) lies happiness. It seems to me that today, compared to the year in which this song came out, the time is not changed at all, indeed, around the city you can meet a lot of "Pedro" (at least in Italy) who continue to hope for a huge win the lottery or some other stupid lottery, and almost always this expectation, if not all, lasts a lifetime. But we continue reading the text:

[...]
Pedro Pedreiro also expected the death
or the day of return to the north
Pedro does not know but maybe, maybe at the end
aspetta qualcosa più bella del mondo
più grande del mar.
Ma perchè sognar se dà
la disperazione di aspettare ancora.
Pedro Pedreiro vuol tornare indietro,
esser solo muratore
senza aspettar,
aspettare aspettare aspettare,
aspettare il sole, aspettare il tram,
aspettare ancora quel famoso aumento,
aspettare un figlio che dovrà aspettare,
aspettare il premio della lotteria
aspettare la morte
aspettare un port
expect to wait no longer,
wait at the bottom
nothing but
hope afflicted infinite exhausted
it gets its trams.

He said a very famous Italian character that, sooner or later in the life of every human being has a 'chance, a passing train, and which must be taken on the fly, because maybe it will not ever again, but this train for Pedro has not gone and will never go away, so will spend his life in constant expectation of something that over time will become nearly indefinable, if Pedro has a son, he too will the fate of his father and so on for generations and generations that will be cut off from any possibility of wealth because of the few holders of power and money selfishly excluded always exclude whole classes and social well-being and the opportunity to improve their lives. The excluded will not stay that groped endlessly to get what they have the lucky few with very few means at their disposal and with negligible chance of success, thus remaining at the stake for eternity.
Carried to finish the video for the song "Pedro Pedreiro.

Sony Media Centre Extender

ten poems in February

says a famous proverb: "February, Little February months short and cursed, "and another reads:" February of each month is the shortest and the least friendly "and does not end here, since there are plenty of them and almost all negative. But because it was made in February this ugly nomination? The explanation is simple and is to be found in the thinking of peasant society that long ago was predominant in Italy in February is really the last winter months and, in his twenty-eight days if the weather gets cold or both mild, the gain is little, in fact, a February drive, perhaps after a January that it was the same, could not be appreciated by the population, while if too hot a climate prevailed in February, was the strong likelihood that nature to awaken in advance, so that any blooms have occurred could be easily compromised by a not unlikely marzolina frozen, compromising future crops. As for poetry, February is not among the most praised month but still a fair number of poets wrote something on the second month of the year.
a boring, meaningless and gray February morning sees the poet Vincenzo Riccardi Lantosca through his window and could not do anything, he decided to stay home to write poetry: "It's a February morning / dull, unpleasant , dreary, / crying between the axle and glass / window of the tremulous Rovaio. / / And I rhymes appear, / who, obedient meter, / run forward, backward, / as the spacecraft chassis .
Vincenzo Cardarelli, both in her prose, which, especially in his poems, has always shown particular interest in subjects related to the seasons and months of the year, the opera entitled February is proof that the month winter is in these lines compared to a lively and mischievous boy, who informs us that the crazy is coming in March: "This month is a guy / annoying, irritating / that mess up the house / remove the blood, announces the mad March / mutant and perilous. "
A positive view is that told by Diego Valeri in End of February, is the certainty of those who have faith and sees a future that is joyful annunncia with spring imminent " Season benign and bright, / that all is waiting and divine message, s the heart is believed to close / true to his and his alone. / / ... Tomorrow Tomorrow we will see, / dark curtain fall, / the face of the purest joy, / rice of the supreme good. "
A meditation is thin and bitter February evening poetry written already advanced in age by Umberto Saba: In a serene evening in February, the poet looks at the sky and see the moon appear, then his attention shifts to the people in particular on young people who roam the streets without having a clear goal, this vision leads the writer from Trieste to a conclusion that may seem bleak, but to read it well, you get the impression that it is a comforting thought, given that according to the Saba thoughts of death (which is generally considered ugly) helps to live, " the moon rose. In the avenue is still / day, a night that quickly drops. / Indifferent youth s'allaccia; / heels to poor goals. And it is the thought / of death which, in the end, it helps to live .
setting is hermetic poetry February Leonardo Sinisgalli and consists of only three verses which referred to a whistle issued a mason in the early morning (when it clearly starts to work), this sound, Sinisgalli said, "resurrected" in February, which was before the trees, still bare, is thickening, "Before cues from the green branches / each year rises in the morning / the whistle of the mason. "
In Rome, on a cold February evening, the poet George Vigouroux, attracted and fascinated by the vision of the new moon, being in a particularly evocative of the eternal city for a few moments, lives a life not her own, outside of time, trying some beautiful things, " Love and dream are mixed / fear of death with an elixir / evil, so already live another life / future trembling youth, / reborn from my ashes today, / and you almost opens fire wings. " But the illusion did not last long and now returns to the poet the consciousness of himself and his real life, " already I find myself locked in the cocoon / anxious of this life, / that would be a great joy a word / that would prevent my heart to freeze / / remote as the moon up there, / the bezel veiled in February. "
Alfonso Gatto's poetry is dedicated to flowers that herald the spring, the violets, the fact is curious to find, in the verses of this poem, the reference to a lively boy, as was that of Cardarelli, who beat his feet and his hair ruffled and moved by the wind, here are the first two quatrains of Violets February " D'whiteness made of light snow / - snow in February - violets / wake green light to the window / drawing on the hill the houses / / one by one blue white pink / rattling windows that the threshold / beats up a boy, craving / tousled head wind that fools. "
February is called a "traitor" by the poet Maria Luisa Spaziani describing a day of south wind with the sky a bit 'cloudy, with a decidedly carnival, only in the final state the grounds of the adjective unedifying reported for the month of February: one speaks of the Tree of Judah (the apostle who betrayed Jesus), commonly known as the Judas the most bizarre feature of which is that its flowers, pink or lilac, growing directly on branches and bark of the trunk, here is how to explain the "whole frame spine" of a verse of poetry: "Today Scirocco yellow confetti / verzica already zest, capers in / clouds are clowns. It is for black / her only the ambiguous drowsiness, / all the stem thorns in the dark enigma / sewage oozes his ruddy, / that last burst, ominous seal / spring, the tree of Judah . Richelmy Augustine in the first verses of February makes a careful description of the few signs that in future this month witnessed the arrival of spring, " a glimpse into the slope / hill lake pale / non-leaves no greenness. / Only the hazelnut / fusticelli between the branched air / pendants have stretched the pale yellow / jeweled and redness of the stigmas . Then he lists other signs, those that announce the end or, as the poet himself, the death of winter, " Later, forgot the water's edge, / is a remnant of the snow. It's a boy / who fell asleep every day in the sun withers. / - Ah, winter, you die! '.
Mario Baudino outlines a particularly cold February, with snow and ice, the latter, has arisen on the surface of a river, becomes the object of play for a person not well identified, of which the poem speaks in third person: "With the ice the river has played / play coy / but the first crunches have convinced / that was urgent / return to the waterfront and street / because he would soon be won / intrusive in the spring / intolerable, insipid .


February ITALIAN POETRY IN TEN

"Sunt Lacrymae rerum" Vincenzo Riccardi Lantosca, by the anthology: "Poesia italiana dell'Ottocento", Garzanti, Milano 1978.
"Febbraio" di Vincenzo Cardarelli, da "Opere", Mondadori, Milano 1981.
"Fine di febbraio" di Diego Valeri, da "Poesie vecchie e nuove", Mondadori, Milano 1952.
"Sera di febbraio" di Umberto Saba, da "Tutte le poesie", Mondadori, Milano 1988.
"Febbraio dolce e amaro" di Leonardo Sinisgalli, da "La vigna vecchia", Mondadori, Milano 1956.
"Luna di febbraio" di Giorgio Vigolo, da "La luce ricorda", Mondadori, Milano 1967.
"Le violette di febbraio" di Alfonso Gatto, da "Tutte le poesie", Mondadori, Milano 2005.
"Febbraio traditore" di Maria Luisa Spaziani, dall'antologia "Poesia italiana del Novecento", Garzanti, Milano 1992.
"Febbraio" di Agostino Richelmy, in "Poesie", Garzanti, Milano 1992.
"Febbraio" di Mario Baudino, dall'antologia "Melodie della terra", Crocetti, Milano 1997.